zunn



Main Kaun Houn?  meray blogging ka buchpana   jee jee poochiay.  
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Parveen Shakir - tanhai mei meray saath

It seems,

that those around me
speak a very different language.
That wavelength 
at which we had maintained communication
has shifted to some other range.
Either my lexicon has grown obsolete
or their idiom has changed.
The path on which way words take me,
for the meaning of that path,
they have a separate glossary.
I remain silent to preserve the sanity of words,
and the only conversation
possible for me is with walls, with my loneliness, or my shadow.
I dread that moment
when, shrivelling within myself,
I may forget even the frequency
that allows me to talk to myself
(keeps me in touch)
so that one day
I am left shouting only, “May Day, May Day!”
————
Thank you @gulshaniya for knowing the only voice which can speak my mind <3
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Something about a beautiful woman paying homage to Salman Ahmed that makes my heart flutter…

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[Thelonious Monk + Chappalgazing] * [Acid Trip]

If Karachi sounded like an instrument, it would be a saxophone reminiscing. Quintessential dirty alleys etched with blunt smoke and urban tracings… rendering it under filters of black and white.

We are all undertones, in shades of gray.

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NiceMangos is one of those blogs that make you grateful for the era you live in because you know when you are reading something truly extraordinary. And it&#8217;s not just what she writes. I&#8217;ve always loved juxtaposing my words with pictures, but she transcends that style by adding whimsical yet iconic illustrations that she makes herself. 
She&#8217;s graciously asked me to do a guest post for her blog, which you can access by clicking on the art work above.
I can&#8217;t imagine an artist who has resonated more with me than Pathipen. She consistently - provocatively - evokes images of thoughts I hadn&#8217;t been able to connect with another person before.
Her piece &#8220;Girlstick&#8221; (the picture above) adorns my words in this post - a work that captures the idea of multiple-faceted sexuality and the cold, awkward encounters with it that women face. The beauty of course, that it is only one of so many perceptions her work creates.

NiceMangos is one of those blogs that make you grateful for the era you live in because you know when you are reading something truly extraordinary. And it’s not just what she writes. I’ve always loved juxtaposing my words with pictures, but she transcends that style by adding whimsical yet iconic illustrations that she makes herself. 

She’s graciously asked me to do a guest post for her blog, which you can access by clicking on the art work above.

I can’t imagine an artist who has resonated more with me than Pathipen. She consistently - provocatively - evokes images of thoughts I hadn’t been able to connect with another person before.

Her piece “Girlstick” (the picture above) adorns my words in this post - a work that captures the idea of multiple-faceted sexuality and the cold, awkward encounters with it that women face. The beauty of course, that it is only one of so many perceptions her work creates.

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The Material Museum of Me

My life flashed before my eyes today, and it was in the form of some one else’s ’things.’ All it was, was these ‘things’

It made me wonder… Are we the sum of what we own? And if so, what is that sum?

Will all we leave behind be simply objects, which we used, (perhaps, rarely even appreciated) yet inevitably discarded, as markers of time passing?

Our armour, our comfort, our nothing yet everything…

Religion and/or those who have found the “true meaning of life,” (Ref: self-help books?) tell us that material objects have little or no value. No seriously.

Yet today, these objects made me feel close to my own experiences and moments, as if someone had laid my life out for me to see in a singular format - like an echo or a wavy, dissipating reflection.

While I walked around this exhibition, seeing all these things meticulously laid out, I felt sombre - but I realised I was not alone, because everyone there was speaking in oddly hushed tones, almost whispering out of respect for something we all felt but could not put into words…

Like being at a funeral or around the terminally ill.

——

The above display made me laugh at the beautiful medium-cutting simplicity of it all. Our house is our container, populated with even more containers, all of which hold little place in our hearts. 

So it made me think about how we live our lives…and I started asking myself certain questions:

—-

Will you spend your life doing or collecting things which some vague collective (har har) or group of ‘others’ decided was your how you’d remember the purpose of your every day how it would be memorable…?

Or not?

These others whose experience and wisdom we live by were before our time and we all ape what we see, instead of considering whether or not we really even need a dining table for example?

So will you too be the proud owner of objects who can be anyone’s and everyone’s and therefore no one’s : synonymously anonymous.

If these are all you amount to, if this all you have: here and now…

if strangers were to peer at your possessions to catch a snapshot of you

or to longingly peer into your array of things as “we have our exits and our entrances and one time in his time plays many parts…” (Shakespeare)

how would you want to be defined?

 

by the medicines and nuskhay which give us the oldest definitions of sickness and health in terms of death, quality of life, belief and understanding we can’t see and yet seek to fix?

or will the light fixtures, the building material which was the bulk which sheltered you, protected you with it’s body so layered and nuanced with door handles and utensils best tell your layered story?

(Source: barbican.org.uk)

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Vehshi Haseena

Have you gotten stepped off a train and inhaled Southall? 

It is ‘London’ where tali hui pyaaz is the flavour of the air. It is always, warmer and sunnier there than any other part of London (Pliss be advised: respondent’s claims are subject to the bias of feeling physically warmer, seeing pakoray and chaat on thaylay and smelling bawarchi fragrances reminiscent of a hot kitchen…) But then as long as humans are part of the equation, so is bias - so that doesn’t make it less true or factual.

Coming back to Southall…if you forget that you’re not home - that the crowded pavements of frying vats and sim card vendors and dishkum gaanay blasting from slow moving cars which carry a gaggle of boiz checking you out as they break the lights - is all happening in a limbo between des and pardes, then something as simple as the amount of money you paid for the train ride there transports you out of there and deposits you in a world where both your past and present collide, much like the nuclear fusion of the sun, to make something that you are not quite sure how to explain to someone - much like “sunlight” can’t be explained, only experienced.

Of course most mornings when I am showing up for work in Southall are not this profound, because the breathtaking (See: the Dementors variety of breathtaking) beauty of employment is that it’s sludge-green tinted glasses slop mundanity messily yet rapidly, leaving you with “meh” ectoplasm covered days. (Ref: #mehday - by @khizM)

But this morning as I sat on the bus, something happened which transcended not just my rubbish routine which is as tasteless and done as a gum you’ve prematurely gotten all the flavour out of but also overtook most people that I have ever, ever and never met in my life.

I was sitting right at the back of the bus, facing the back of the bus as well, so I could eat my lunch of two samosas in peace and pieces (aaloo and chicken) when a desi woman ambled in and sat right in front of me. She was already on the phone, which she held across her mouth as she walked in, making sure to shut all the windows as she came to sit, a practice she used as punctuation throughout the bus ride…

Just a day earlier, when I was on the bus, talking to my mother, a young, black girl started having a profane argument on the phone in a staggeringly loud volume…no she wasn’t screaming, but she must have been trained in talking on stage and throwing her voice, because daym she was LAA-OUD.

Louder than these two were

Her shouting got so intense, my journey so arduous, the weather so miserable and my mother’s voice so strained that I eventually turned around and yelled at the girl “WILL YOU KEEP YOUR FUCKING VOICE DOWN - THERE ARE OTHER PEOPLE ON THIS BUS TOO!” before returning to my rather shaken mother. To be honest, I am not great with confronting crazy dramatic types, and when I did say this, I had been rehearsing it for a while, but I was certainly not in a mood to be messed with and I felt it was especially ‘unfair’ of her to ruin everyone else’s exhausted commute home. Two ladies did root for me for telling her off with the “pshhht can you believe her?” combination of words and looks.

[Coming back to today and my bus ride to Southall…]

Hence, with each window this woman shut, I got slightly more irritated and thought about saying something to her, because it was getting stifling and much too warm and smelly, But then I thought - am I being rude to her because she was wiping her nose and rubbing it on her clothes and snorting her snot with gulpy sounds? And of course, because of the way she looked?

Oh I didn’t mention how she looked did I?

At 5ft and a few, I am not a very tall person. Being from Karachi and it’s suspect water, I have never managed to achieve the kind of health that Pakistanis refer to as “healthy”. And of course, with the hegemonic socio-political culture of my country being the Punjab, I would always find the Punjabi woman a stunning, imposing, fascinating creature. Even at their most petite and precious, the Punjabi woman has an aura that is at once inviting and intimidating…Something I applaud and wish I had - to smack them mans with.

But this wasn’t an ordinary Punjabi woman. She must’ve been in her early 30s and sure she had the blazing eyebrows, the fair complexion, the large eyes adorned with war paint and mascara, the thick hair brushed to a bush. But she dressed as a man (something we all have to freaking do in this god-forsaken country where women are “equal” but not their own entity) she also walked like a gangster with a swagga. No, this wasn’t an ordinary Punjabi woman, an ordinary Punjabi, or an ordinary woman, or heck even close to any person I had ever met. Even in the first few seconds in which she sat down next to me, that much became pretty clear. Clearly, those windows were going to remain shut.

But at this point, I was distracted from her visage, and focused elsewhere. Normally, I would have put on my earphones and listened to music and played the 795th stage of Frozen Bubbles on my phone (no exaggeration there). But I was not in the mood for music, and so luckily whilst taking the sounds around me all in - tuning through the different channels of the ambient sounds which surrounded me (much like one does with radio) and my ears pricked up, as my interested was slowly but surely piqued by what she was saying…I tuned into her show to which my undivided aural capacity was henceforth dedicated.

I know that eavesdropping is a Pakistani passion. People I know can be in restaurants and still follow conversations happening in the booth on the far side of the room. Generally, I feel eavesdropping is quite ethically repugnant, especially when people are making an effort not to be heard by speaking softly and so I actively and repeatedly tune out, and go into my tubelight flicker mode in order to avoid listening in to others. And being a Karachiite and now living in London, the more we’re “pack’d like sardines in a crusht tin box” the more we find ways to tune out and focus on the space between our ears only (earphones) or limit our world-view to our phone’s screen… so in many ways, I am not unused to tuning out loud and big people.

But she didn’t demand attention - she wrenched it from me in a way that I knew it was never mine to give…it was truly her birthright.

She was talking very loudly on the phone with someone, telling them about the troubles she had with her visa. I sent a text to a friend saying:

loud, butch, most manly Punjabi woman I’ve ever met is on my bus. She’s so fascinating, as is her conversation…to be continued

Apparently, when she went to get her visa to come to this country, she got in an argument which quickly escalated into a bedlam where she broke windows and chairs. Despite this, she was still upset a the audacity of her visa rejection. I began to get the feeling that I was onto something truly special here. Something so delicious and chattpatta, that I knew finally, my time livetweet her conversation had come…to forever crystallize that point in time.

Unfortunately, the autocorrect on my phone made a bit of a mess of the Urdu words. What she was actually saying was… “Unho neh mujhe visa nahi diya, mei neh kaha kyun to kehne lagay - ‘Aap ne larai ki, cheekha aur sheeshay toray, toh…” 

As I tried to type all this which was quite a feat, as my fingers suddenly felt like I was navigating greasy sausages to pluck at a harp’s strings daintily, and by the time I tweeted it, the conversation had taken a dramatic turn…

Instead of a boastful, aggressive tone, the tenor of her voice had now assumed a distinctly tharki character - a bhooki, lecherous, lustful one. The phone had now come off her ear and was being slowly rubbed across her lips as she spoke to her lover, each sentence unfolding a new delectable thrust of the phone around her smacking lips and stubbly, undulating upper lip.

Have you paused to wonder here about the gender of her lover? If you thought she was talking to another woman, then I don’t know what it says about you, but you would be right…but this took me a while to figure out…because I thought she was talking to her khaavand as her wedding finger was heftily indulged, much like the rest of her.

So yes, I was sitting on a double-decker bus opposite a woman making love to a mobile phone in a language and tone that I had heard from men in another country 1000s of miles away, where another woman was receiving all this lust.

Oh and one more thing - the woman was talking as a man. As in, “mei tum se pyar karta huun” “mei tumhe miss kerta huun” etc.  which made me squint and squirm as I thought that I must have completely gotten her gender wrong to begin with and this passionately embroiled person in front of me was a man…? But she wasn’t and so then I thought that since I already believe gender is fluid, her body parts of a woman didn’t dictate she be one, and her self-identification with the male gender didn’t mean she was less female…She just Was…and with that my mind melted.

And if to emphasise the surreal madness of this moment, where my reality was literally ripping itself into shreds, she said something that I had to tweet. I’ll give you the background of it first, and then, when you have read what she said, take a moment to digest it.

The lover in Pakistan - let’s call her S - had just received some gift that this fantastic woman - Z - had sent. As S thanked her, Z brushed her words aside, insisting that such acts were not for courting gratitude. “Mei yeh cheezain thanks ke liye nahi kerta. Balke…”

“I will eat you raw, my love - and then never take a shit!”

Breathe.

She laughed uproariously at her on ingenuity as I struggle to control mine within the self-imposed shackles of propriety.

Now I am a trained doctor who has seen crazy shit, things which are so far beyond fucked up that I promptly went into denial and blocked them out, so as not to deal with them…Every person trained to be a doctor has a “doctor face” and demeanour which is a face and facade one needs to maintain and keep wearing so as not to betray any emotions or reactions…But my doctor facade has never been so threatened since it’s birth as it was when she said the “potty” line…My face twitched and I felt a laughter and madness bubble inside me so wildly, that I had to physically cover my face with BOTH my hands feigning to rub my eyes to stop from reacting… But much like you curtail your laugher at the punch line of a performance long enough to hear the next bit, she had moved on to something new, which made me forget the last bit…

But before I give you the final bits of this story, I need you to sit here with me. And really, really think about this with me. I have spent all my life wondering what it means to be a woman. Not just a woman, but a Pakistani/desi woman, surrounded by our own ever changing approaches to feminity, to sexuality, to freedom, to privacy and autonomy. I’ve thought about how equality can work, and I’ve thought about how equality robs women of their own sense of self. I’ve thought about gender and its authoritative limits, and I’ve thought about how gender often feels like a prison we keep building around ourselves. I’ve thought about biology and convention, and how we keep finding these two meet in the same way, with few permutations. I’ve thought about being a woman, and I’ve thought about being myself and when these are a continuous thread and when they are tied together lumpily…

But perhaps at no time, at no moment, at no instance have all these ideas and thoughts ever been so completely shed like a chrysalis, transformed into an imago by one divine woman who took everything that was simply a form of mimesis on my part as a being into one true being, whose very pores spewed a diegesis that Plato would have sung of till the fat lady sings.

[back to the story]

Suddenly, a second mobile protested from within her girth. Z commanded S to hold on, and picked it up switching from a lover in throes of passionate telephone pyaar to a no-nonsense all-business “Commander.” Within seconds, her eyes widened as she kept uttering “shittt, shittt, shittt…” (the way all us subcontis do with emPHAsis on the “t”.) Swiftly she cut S’s call, and was now completely chanelling the entirety of her entity into the confines of this second call. As her words gained momentum, so did her volume and soon she was yelling at someone on the phone as the bus trundled on…

She said “Khan Saab, Khan Saab yeh aap kya keh rahey hain!? KHAN SAAB kitnay kharay huay hain? AAP WAHAN SEH DUUR HO JAEIN! BUS STOP PEH JAEIN KHAAAN SAAAB MERII BAAT SUNAYN BUSSSS KHAAN SAAAB!” A very frightened Khan Saab was first barked at for information, directed to a safe inconspicuous area - a bus stop and Z was now admonishing him to calm down even as she upped the crazy. Apparently, said Khan Saab was on the way to the “flat” when he saw two people outside, and a further four policemen with them. Z kept referring to them ‘vardi walay’, and their presence had her, the man and me freaked out and at the breaking limit of my poker faced facade… She kept yelling at ‘Khan saab’ to stop freaking out, “aap ki phutti hui kyun hai?” and to how to stay away from the men in uniforms and not look their way as he stood at the bus stop lest they get suspicious. 

Here is what I tweeted then.

Now at this point; self-awareness slowly started returning to my own mind and body, and it was beginning to dawn on me that not only was I witnessing a fiery lesbian desi woman, but a pakhana-pervert fiery lesbian desi woman, and now it was pretty clear that the pakhana-pervert fiery lesbian desi woman was a gangster overlord of the underhanded pakhana-pervert fiery lesbian desi woman.

Z.O.M.F.G

Z now told Khan saab that “the office” was going to be shut for a few days, until she could sort all this out, but not to worry. Suddenly, Khan saab informed her that someone named Nadia was approaching the office. She frantically urged Khan saab to make sure Nadia DID NOT enter the building by waving at her discreetly “KOI ISHAARA DAYN USSAY!” Once he was able to pull that off, Z also realized that the since the police still hadn’t rung the door bell (something she scoffed they hadn’t done ‘last time’ either!) she relaxed, and now started adopting a much gentler tone with Khan saab, one that still seemed to mock him, but was much calmer, much slower, approaching the control and swagger of one speaking to a jigri dost jiss ki aap leh rahey houn - kachayree style (Thanks for that word @gulshaniya).

It was right at this moment that I realised I had to get off at my stop for work. For the longest moment, I agonised over whether I should go back to the mundanity of my job, or stay on to keep following the adventures of the most exhilarating woman, nay person, I had ever had the chance of stumbling onto.

I suppose you can guess the choice I eventually made. A mundane fool (aka: me) chose her own adventure page in a rush of mediocrity and as expected looked at the block letters of THE END rush at her after the first few lines, leaving a vast empty page of “maybes” and “nothingness.”

So yeah, to say I regretted my choice is an understatement…I STILL regret my choice and will be haunted by what a whirlwind of utter other(under?)worldliness I could’ve been caught up in, had I blown off my safe-little, done-to-death rat race.

Who was Z? How did she manage to encompass so many stereotypes, and yet surpass them all? How did she come to live this life? How did she manage to become this person? Who did she have to knock-off to get to this position of clear authority? What was it like being a lesbian gangster in modern day London? What was it like to be a London-based lady gangster with honeys in Karachi? How did Z decide to take everything that society and conventions had thrown at her and make them into not just an armor, but a weapon to be wielded at the world, to be used for her cleave her own path across fate?

I accept that I won’t understand and maybe a part of me didn’t want to know and opted off the bus because of the fear that when the magician reveals too much it is but a disappointing parlour trick…and the magic is gone. Whereas Z is larger than life and will remain a figment of my fevered fancy. On the cold gray mornings when my clockwork life feels like a rerun where I’m not sure whether I’m awake or still asleep, her shadow looms larger than a double-decker and more flamboyant than it’s raging red, promising a life at the limits of audacity.

Z. 

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Implications and results: Directly proportional rates of exposure in time and space to Drug “A”


Figure 1. Drug “A” - The subject of contemporary scientific furore

Background: Drug “A” has greater addictive potential than any of the most addictive substances known to man.

Rationale: Although addiction to Drug “A” is not said to have as many negative connotations as other addictive substances, said scientist questions if Drug “A” withdrawal is as detrimental (if not more) than was previously understood.

Methodology:

The a priori parameters of Drug “A” withdrawal were measured via:

  1. a psychological component to assess the respondents perception and awareness as according to emotional responses to distance from Drug “A”. (Units of measurement: time and distance from Drug “A”)
  2. an imaging component which took functional MRIs of the brain - specifically the insula (implicated in “urge and cravings”) to ascertain the parts of the brain during Drug “A” worship

Findings: An incidental finding (a posteriori) of the functional MRIs is of increased activity in two areas of the brain during high exposure to Drug “A”.

The first area to be used excessively is the frontal cortex (implicated with the conscience and personality of a person) while the second is the hippocampus (implicated for it’s role in cognition.)

Further studies also showed that without Drug “A”, there seems to be a ”lights out and short circuit” in these areas of the brain, like a flickering bulb leading to darkness. 

Analysis: So what does this mean?

The increased activity in the frontal cortex implies that respondents experience a literal feeling of ‘becoming a better person’ whereby they find qualities that they identify with excellence manifesting within their selves. The lighting up of the hippocampal region indicates that exposure to Drug “A” leads to insightful thinking, what can be colloquially described as a ‘Eureka moment.’ Only, our respondents seemed to experience a series of such moments, leading them to believe that they were experiencing a ‘divine’ reality.

Conclusion: Consequently, the absence of Drug “A”, and the implied withdrawals, have an overwhelming tendency to inspire suicidal and deleterious thoughts, and may lead to respondents indulging in self-harm either through substance abuse, suicide attempts, or through overeating oily Pakistani takeaway foods. 

Discussion and avenues of future research: It is our measured opinion that the government and responsible authorities consider keenly and actively both the limitless possibilities of inspiration via Drug “A”, and the crushing consequences of lack of exposure to her. We propose setting up a test team of disposable slave-respondents, preferably from the UK or Australia, who are provided heavy exposure in limited spells in order to judge the effects in greater detail and depth.

*DECLARATIONS: The author of this study would like to state that there are no conflicts of interest to declare. This study was purely funded by my own emotions*

((special thanks to @fursid for donning his cape and saving the day with the embedding issues :))

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&#8220;Dil-o-jaan fidaayen raahen, kabhi aa key dekh humdum

Sar kuu-e-dil figaaran, shab-e-aarzuu ka aalam&#8221;

Her pudgy arms reach for the computer as she asks &#8220;face? face?&#8221;
They explain she&#8217;s trying to touch my face.
My heart is all too aware of the blood draining away from it with each beat henceforth.
Every human has their price and a single touch of hers is the price of my soul.
Damn you two for creating the most delightfully incredible and edible being to have blessed this Earth.
Damn this earth for not folding unto itself in shame that I may but once feel her touch.
Damn this continuum to hell for space is the brazen harlot of our reality which feels no sympathy for my despair.
One day my little chilghoza&#8230;that &#8216;one day&#8217; is all I yearn for:

“Dil-o-jaan fidaayen raahen, kabhi aa key dekh humdum

Sar kuu-e-dil figaaran, shab-e-aarzuu ka aalam”

Her pudgy arms reach for the computer as she asks “face? face?”

They explain she’s trying to touch my face.

My heart is all too aware of the blood draining away from it with each beat henceforth.

Every human has their price and a single touch of hers is the price of my soul.

Damn you two for creating the most delightfully incredible and edible being to have blessed this Earth.

Damn this earth for not folding unto itself in shame that I may but once feel her touch.

Damn this continuum to hell for space is the brazen harlot of our reality which feels no sympathy for my despair.

One day my little chilghoza…that ‘one day’ is all I yearn for:


 ()
Misfit by Parveen Shakir. 
Translated by Yasmeen Hameed. 
(Click on the picture to read the original Urdu poem)
Sometimes I wonderwhy do I so much lack the artof pleasing people?Some are annoyed with my words,other with my tone and tenor.First, my motherwas unhappy with my busy schedule;now my son has the same complaint(in the blind race to earn living, how far back must relationship be pushed!)when the reality isthat my householdenjoys full benefitsof my obligation to play part of woman.Every morning on my shoulders,though, the weight of responsibilitiesgrow greater than ever&#8212;still,every day the reproach of incompetence on my backbecomes ever more insistent.Then there is my workplace,where the first condition of appointment isto tender resignation to all self-respect.I try to grow flowers in barren minds&#8212;sometimes a little green shoot becomes visible,otherwise stonesare often annoyed with the rain.My tribemanages to find light in my words,but I know very well whose eyes are on the word and whose on the word&#8217;s creator.All circles are smaller than my feet,but time&#8217;s wild dancestops nowhere.The rhythm of  ithe dance grows faster,faster&#8212;either I am something elseor this is not my planet.

Misfit by Parveen Shakir.

Translated by Yasmeen Hameed.

(Click on the picture to read the original Urdu poem)

Sometimes I wonder
why do I so much lack the art
of pleasing people?
Some are annoyed with my words,
other with my tone and tenor.
First, my mother
was unhappy with my busy schedule;
now my son has the same complaint
(in the blind race to earn living, how far back must relationship be pushed!)
when the reality is
that my household
enjoys full benefits
of my obligation to play part of woman.
Every morning on my shoulders,
though, the weight of responsibilities
grow greater than ever—
still,every day 
the reproach of incompetence on my back
becomes ever more insistent.
Then there is my workplace,
where the first condition of appointment is
to tender resignation to all self-respect.
I try to grow flowers in barren minds—
sometimes a little green shoot becomes visible,
otherwise stones
are often annoyed with the rain.
My tribe
manages to find light in my words,
but I 
know very well 
whose 
eyes are on the word 
and whose on the word’s creator.
All circles are smaller than my feet,
but time’s wild dance
stops nowhere.
The rhythm of  ithe dance grows faster,faster—
either I am something else
or this is not my planet.

 ()

Anonymous asked: you only seem to say 'jee jee poochiay', but you don't answer them, do you?

haha. Fair enough, I’m quite unreliable that way. What needs answering?

 ()
How did you feel when you saw this photo?
Snap judgements and initial reactions&#8230;we all jump that way&#8230;but the difference lies in where we put the full stop on our thoughts and emotions.
Did you too get caught up in the debate of whether the photo is photoshopped completely (the way Veena herself is claiming,) or photoshopped just enough to be like the-run-of-the-mill-cheesecake-beauty-model on the cover of any magazine/comic?
Regardless of how you feel about the authenticity of this photo - whether you are male or female, you love/envy/salivate over/get disgusted by/judge/lust for her body. She does possess pure curves the way of a woman of colour &#8216;should&#8217; - unlike the emaciated western-ideal-teenage-boy-model

What is it about her body?
It brings out a feminine ideal.
Did my previous statement have you draw out your hackles? Did you think &#8220;WTF! Isn&#8217;t it anti-feminist to be nude by cheapening all of us to a reductive object?&#8221;
Okay, so imagine you are looking at this photo - as part of a doctor deciding fertility, or a sculptor seeking to fashion a moorti out of stone, or simply because it is your job at the magazine to decide what sells&#8230;
What strikes one about this photo is this: It&#8217;s not pretending to make her look like a boy - an adrogynous nubile one at that, who has pimples for breasts, waifish features which have no gently sloping turns, no accentuation of the waist to hips (ratio, haha) - those very features that the ancients revered in their fertility goddesses. Veena looks like a woman should, but the fact that she is one of ours&#8230;well that just bleeding unsettles us.
But the discussion isn&#8217;t really about her body, because a woman with true adaa knows that one can wear anything and still the beauty of her movement can be powerful enough to have countries wage wars over her&#8230;for a woman&#8217;s power of suggestion is that inspirational, and it is power that we too have to constantly come to grips with ourselves, once we know how&#8230;
But the fact is that this photo either gets our blood boiling or pumping (or both) because SHE IS N.A.K.E.D.
And it is a big thing to swallow.
A naked Pakistani woman on a mass-selling Indian magazine. Holy Binte Allah!
One side is already spitting in fury at the idea of her nudity.
The other side, which loves to spit back, is disdainful of Veena, of her apparent lust for fame and her lack of &#8216;finesse&#8217;, her lack of grace in pandering to the lowest common denominator as an object of sexuality, pandering to a man&#8217;s need to reduce us to just a one dimensional THING - a body&#8230;What this side wants is to see a woman as beautiful only if she is dumb.
But Veena isn&#8217;t dumb&#8230;
So Veena - a woman who made her mark as a biting, witty comedienne, a woman who stood up to the philandering Mohammad Asif, a woman who ripped apart the most sacred of cows on national T.V., enough to start a pop culture reference of our own to identify with,

a woman whose intellect and gall has proven time and again to be as voluptuous and enticing as her physical charms - is immediately deposited into the trash where she can neatly fit among what makes us feel comfortable to pigeonhole her thus.
Pakeeza-istan: because here is where we can only respect a woman as being more-than-an-object, when she is ugly/physically unattractive. Like Abida Parveen (there I said it), whose intoxicating talent is largely appreciated because she is so neutral looking&#8230;and by neutral I mean us women feel more secure of our physicality and beauty around her (admit it&#8230;come on) and all the males are comfortable with her brilliance and admire her, because added physical attraction makes a man undermine talent.
*Deep breath* (buhat bari baat kar di mei nei)
So as I was saying&#8230;
The reason Veena&#8217;s actions are courageous, admirable even is because they go out and break a mould, break the rules of who WE are - who Pakistanis are. And breaking the rules which are exploiting you,are only worth it when you are able to own up to why you did so. No matter what her denials or your opinions are about the picture&#8217;s authenticity, the image speaks for itself. And it is in your face&#8230;
When the cricketers were caught fixing, none of them turned around and spat at the faces of the corrupt boards and the feral capitalist machinery which exploits them nor made it clear that their choices were largely a product of the way they - as Pakistanis- had been ostracised and maligned. Instead, like all of our men do, they too became defensive like a child caught doing something wrong, they denied it, then they became sullen and sulky and we all hated them and agreed with the courts instead of thinking of how all this could have been another way of turning the fucked-up the system we comfortably leech off from&#8230;on it&#8217;s head. Victims or Criminals? Is there a difference in this context? As Bowie sang, about the the elusive definition and nature of Change: 
&#8220;Every time I thought I&#8217;d got it made
It seemed the taste was not so sweet
So I turned myself to face me
But I&#8217;ve never caught a glimpse
Of how the others must see the faker
I&#8217;m much too fast to take that test&#8221;
However, countless men, women and children are hurt, upset, heart-broken about the cricket fiasco. Why? Because these are men, heck individuals and a team we look up to&#8230;people whom we trust to represent our hopes and dreams, they are larger than life to us&#8230;regardless of how much they hurt us, a part of us will always love them and pin our hopes on them.


However, women, Pakistani ones at that, aren&#8217;t even afforded the chance to do wrong, let alone be individuals we admire or care about&#8230;Men can do it as long as they don&#8217;t get caught and when they do, the women that surround them, cushion the blow, placating them with a million reasons/excuses as to why a man &#8216;had to&#8217; act thus.
But women can&#8217;t even afford to think (ghalat soch) the &#8220;wrong&#8221; way. And no matter how often these limits are &#8216;for our own good&#8217;, they are suffocating&#8230;because really what the hell does &#8216;for your own good&#8217; even mean and who gets to decide what is for my good versus yours? This is a contention best saved for another post.
And for anyone (even if she only exists as a naked Pakistani female in your mind)  to break those boundaries - even as a reaction - counts as an act to be noticed, to be thought about, to be affected by, because it represents something that the rest of us are too passive/paralyzed and overwrought in thought to even contemplate, in any manner of our day to day lives even. Like making New Year Resolutions as a way of procrastinating for an eventuality you don&#8217;t intend to actualize?
No one is asking for the rest of us to go naked, but mostly because none of us want to be&#8230;well click to see what kinda wimmens I&#8217;m referring to&#8230; Stripping our clothes for a magazine is not the only way - and certainly not the most advisable way - of pushing and ripping through boundaries, but it is one way.
Especially for Veena Malik, who has shown with her Hum Sab Umeed Seh Hain brilliance that she has an intellect and satire which are forces to be reckoned with, which stand on their own and ought to be celebrated and honoured more than or at least as much as other Pakistan male comedians. 

Her actions regardless of how contentious they may be, do leave a mark in a more profound way than moralising within the safety of well air-conditioned coffee houses ever will&#8230;
For whatever it is worth, my post is meant to convey that Veena Malik is intelligent, has an acerbic wit which echoes the likes of Bushra Ansari, is stunningly beautiful and unapologetically proud. And I feel that any discussion about her shouldn&#8217;t ignore these facts.
Instead she should be celebrated, and maybe chided for her nude cover the way an indulgent celebrity we adore is given a slap on the wrist for an indiscretion or a naadaani, because it doesn&#8217;t warrant much more censure than that.

The only way that we can develop, nurture and express such tolerance is if we learn to want to be proud of, to love, to appreciate, to stand up for, justify and just plain admire&#8230;
&#8230;a woman
starting with&#8230;
hamari Veena Malik.

How did you feel when you saw this photo?

Snap judgements and initial reactions…we all jump that way…but the difference lies in where we put the full stop on our thoughts and emotions.

Did you too get caught up in the debate of whether the photo is photoshopped completely (the way Veena herself is claiming,) or photoshopped just enough to be like the-run-of-the-mill-cheesecake-beauty-model on the cover of any magazine/comic?

Regardless of how you feel about the authenticity of this photo - whether you are male or female, you love/envy/salivate over/get disgusted by/judge/lust for her body. She does possess pure curves the way of a woman of colour ‘should’ - unlike the emaciated western-ideal-teenage-boy-model

What is it about her body?

It brings out a feminine ideal.

Did my previous statement have you draw out your hackles? Did you think “WTF! Isn’t it anti-feminist to be nude by cheapening all of us to a reductive object?”

Okay, so imagine you are looking at this photo - as part of a doctor deciding fertility, or a sculptor seeking to fashion a moorti out of stone, or simply because it is your job at the magazine to decide what sells…

What strikes one about this photo is this: It’s not pretending to make her look like a boy - an adrogynous nubile one at that, who has pimples for breasts, waifish features which have no gently sloping turns, no accentuation of the waist to hips (ratio, haha) - those very features that the ancients revered in their fertility goddesses. Veena looks like a woman should, but the fact that she is one of ours…well that just bleeding unsettles us.

But the discussion isn’t really about her body, because a woman with true adaa knows that one can wear anything and still the beauty of her movement can be powerful enough to have countries wage wars over her…for a woman’s power of suggestion is that inspirational, and it is power that we too have to constantly come to grips with ourselves, once we know how…

But the fact is that this photo either gets our blood boiling or pumping (or both) because SHE IS N.A.K.E.D.

And it is a big thing to swallow.

A naked Pakistani woman on a mass-selling Indian magazine. Holy Binte Allah!

One side is already spitting in fury at the idea of her nudity.

The other side, which loves to spit back, is disdainful of Veena, of her apparent lust for fame and her lack of ‘finesse’, her lack of grace in pandering to the lowest common denominator as an object of sexuality, pandering to a man’s need to reduce us to just a one dimensional THING - a body…What this side wants is to see a woman as beautiful only if she is dumb.

But Veena isn’t dumb…

So Veena - a woman who made her mark as a biting, witty comedienne, a woman who stood up to the philandering Mohammad Asif, a woman who ripped apart the most sacred of cows on national T.V., enough to start a pop culture reference of our own to identify with,

a woman whose intellect and gall has proven time and again to be as voluptuous and enticing as her physical charms - is immediately deposited into the trash where she can neatly fit among what makes us feel comfortable to pigeonhole her thus.

Pakeeza-istan: because here is where we can only respect a woman as being more-than-an-object, when she is ugly/physically unattractive. Like Abida Parveen (there I said it), whose intoxicating talent is largely appreciated because she is so neutral looking…and by neutral I mean us women feel more secure of our physicality and beauty around her (admit it…come on) and all the males are comfortable with her brilliance and admire her, because added physical attraction makes a man undermine talent.

*Deep breath* (buhat bari baat kar di mei nei)

So as I was saying…

The reason Veena’s actions are courageous, admirable even is because they go out and break a mould, break the rules of who WE are - who Pakistanis are. And breaking the rules which are exploiting you,are only worth it when you are able to own up to why you did so. No matter what her denials or your opinions are about the picture’s authenticity, the image speaks for itself. And it is in your face…

When the cricketers were caught fixing, none of them turned around and spat at the faces of the corrupt boards and the feral capitalist machinery which exploits them nor made it clear that their choices were largely a product of the way they - as Pakistanis- had been ostracised and maligned. Instead, like all of our men do, they too became defensive like a child caught doing something wrong, they denied it, then they became sullen and sulky and we all hated them and agreed with the courts instead of thinking of how all this could have been another way of turning the fucked-up the system we comfortably leech off from…on it’s head. Victims or Criminals? Is there a difference in this context? As Bowie sang, about the the elusive definition and nature of Change: 

“Every time I thought I’d got it made

It seemed the taste was not so sweet

So I turned myself to face me

But I’ve never caught a glimpse

Of how the others must see the faker

I’m much too fast to take that test”

However, countless men, women and children are hurt, upset, heart-broken about the cricket fiasco. Why? Because these are men, heck individuals and a team we look up to…people whom we trust to represent our hopes and dreams, they are larger than life to us…regardless of how much they hurt us, a part of us will always love them and pin our hopes on them.

However, women, Pakistani ones at that, aren’t even afforded the chance to do wrong, let alone be individuals we admire or care about…Men can do it as long as they don’t get caught and when they do, the women that surround them, cushion the blow, placating them with a million reasons/excuses as to why a man ‘had to’ act thus.

But women can’t even afford to think (ghalat soch) the “wrong” way. And no matter how often these limits are ‘for our own good’, they are suffocating…because really what the hell does ‘for your own good’ even mean and who gets to decide what is for my good versus yours? This is a contention best saved for another post.

And for anyone (even if she only exists as a naked Pakistani female in your mind)  to break those boundaries - even as a reaction - counts as an act to be noticed, to be thought about, to be affected by, because it represents something that the rest of us are too passive/paralyzed and overwrought in thought to even contemplate, in any manner of our day to day lives even. Like making New Year Resolutions as a way of procrastinating for an eventuality you don’t intend to actualize?

No one is asking for the rest of us to go naked, but mostly because none of us want to be…well click to see what kinda wimmens I’m referring to… Stripping our clothes for a magazine is not the only way - and certainly not the most advisable way - of pushing and ripping through boundaries, but it is one way.

Especially for Veena Malik, who has shown with her Hum Sab Umeed Seh Hain brilliance that she has an intellect and satire which are forces to be reckoned with, which stand on their own and ought to be celebrated and honoured more than or at least as much as other Pakistan male comedians. 

Her actions regardless of how contentious they may be, do leave a mark in a more profound way than moralising within the safety of well air-conditioned coffee houses ever will…

For whatever it is worth, my post is meant to convey that Veena Malik is intelligent, has an acerbic wit which echoes the likes of Bushra Ansari, is stunningly beautiful and unapologetically proud. And I feel that any discussion about her shouldn’t ignore these facts.

Instead she should be celebrated, and maybe chided for her nude cover the way an indulgent celebrity we adore is given a slap on the wrist for an indiscretion or a naadaani, because it doesn’t warrant much more censure than that.

The only way that we can develop, nurture and express such tolerance is if we learn to want to be proud of, to love, to appreciate, to stand up for, justify and just plain admire…

…a woman

starting with…

hamari Veena Malik.

 ()
 ()
Diwani Handi
Is definitely the best name for a dish. Ever. Diwani because you throw in any/all the vegetables you find in your fridge (leftovers, etc.) [For the pedants amongst us, it was more likely named because it was a royal dish served in the Diwan, but that&#8217;s not how I roll]
This is the recipe I usually use, although when it comes to recipes, I can never follow them&#8230;per se&#8230;heh. umm I always go rogue on their prescribed modus operandi and improvise, depending on my mood and the music I&#8217;m listening to.
No seriously.
This is however a double-edged sword because the good thing about this is that nothing ever tastes exactly the same twice, and the bad thing about this is that I can&#8217;t reproduce the same thing again even if I want&#8230;Also because I refuse to write down my ways of doing things like a recipe. Heck if I don&#8217;t follow recipes properly, then why would I tell you to follow mine? (Practice, Preach and all that jazz)
So coming back to the Pagli of all Handis. If you want a meat/chicken substitute (or can have one) use mushrooms (white cap mushrooms are great in their propensity to absorb flavours - more than chicken but less than meat or use potatoes (sweet potatoes if in masti-season)&#8230;So I for one think white cap mushrooms are criminally underrated). You can use string beans or &#8220;what did the peas say when they were removed from the pod?&#8221; nothing they just muttered&#8230;or you can use phallee (and by OR I mean AND haha).
I try to cook this on dheemi aanch so if you feel there is too much water in the recipe and you are feeling particularly impatient (burn fatherfucker burn) and you want it to be more saalan-ish then use tomatoes to bulk it up and thicken it out. If you use less water and have more patience for dheemi aanch then don&#8217;t use tomatoes
The reason I am saying the above things, is not to tell you what to do, but rather to give you an example of how (my grandfather used to say &#8220;cooking is a jugglery&#8221;) important it is to improvise and if you have some ingredient lying around and you don&#8217;t know how you feel about it and get all wishy-washy around any decision-making when it is around&#8230;GO FOR IT! THROW THAT TINDAA (for example) IN!!! GOGOGO!
Also, the next time a meat-eater decides to get snarky on your tofu ass, cook them a mean Diwani Handi and they will cry barren tears of ineptitude (made barren because of their impotence to appreciate good vegetables).
Tell me how it turns out my Gheli friend!

Diwani Handi

Is definitely the best name for a dish. Ever. Diwani because you throw in any/all the vegetables you find in your fridge (leftovers, etc.) [For the pedants amongst us, it was more likely named because it was a royal dish served in the Diwan, but that’s not how I roll]

This is the recipe I usually use, although when it comes to recipes, I can never follow them…per se…heh. umm I always go rogue on their prescribed modus operandi and improvise, depending on my mood and the music I’m listening to.

No seriously.

This is however a double-edged sword because the good thing about this is that nothing ever tastes exactly the same twice, and the bad thing about this is that I can’t reproduce the same thing again even if I want…Also because I refuse to write down my ways of doing things like a recipe. Heck if I don’t follow recipes properly, then why would I tell you to follow mine? (Practice, Preach and all that jazz)

So coming back to the Pagli of all Handis. If you want a meat/chicken substitute (or can have one) use mushrooms (white cap mushrooms are great in their propensity to absorb flavours - more than chicken but less than meat or use potatoes (sweet potatoes if in masti-season)…So I for one think white cap mushrooms are criminally underrated). You can use string beans or “what did the peas say when they were removed from the pod?” nothing they just muttered…or you can use phallee (and by OR I mean AND haha).

I try to cook this on dheemi aanch so if you feel there is too much water in the recipe and you are feeling particularly impatient (burn fatherfucker burn) and you want it to be more saalan-ish then use tomatoes to bulk it up and thicken it out. If you use less water and have more patience for dheemi aanch then don’t use tomatoes

The reason I am saying the above things, is not to tell you what to do, but rather to give you an example of how (my grandfather used to say “cooking is a jugglery”) important it is to improvise and if you have some ingredient lying around and you don’t know how you feel about it and get all wishy-washy around any decision-making when it is around…GO FOR IT! THROW THAT TINDAA (for example) IN!!! GOGOGO!

Also, the next time a meat-eater decides to get snarky on your tofu ass, cook them a mean Diwani Handi and they will cry barren tears of ineptitude (made barren because of their impotence to appreciate good vegetables).

Tell me how it turns out my Gheli friend!

 ()
Reblogged from mamzelleju

and right at the end, when the hypocrites are criticising the hedonism… BOOM!

mamzelleju:

SEXY FINGERS (par AIDES)

(via jgrozny)

 ()
Stress: a clenched jaw of tetany. An intensity withering your digits - curling fingers and toes.
Tension: a band of expectations squaring your shoulders - your cross to bear. 
Worry: your spinal stack of porcelain plates - that rigid rod - at once tethering you as they pile up, whilst spasms threaten to smash your posture - your will - exposing your frailty.

Stress: a clenched jaw of tetany. An intensity withering your digits - curling fingers and toes.

Tension: a band of expectations squaring your shoulders - your cross to bear.

Worry: your spinal stack of porcelain plates - that rigid rod - at once tethering you as they pile up, whilst spasms threaten to smash your posture - your will - exposing your frailty.